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Poliphilus' Dream of Love

Poliphilus' Dream of Love

By

Francesco Colonna

            Hypnerotomachia Poliphili, literally meaning "The Sleep-love-battle of the lover of Polia," was written, possibly in Latin, in 1467 by Francesco Colonna, a Venetian monk. It was published in Italian, with many woodcuts, in 1499 by the Aldine Press in Venice. It is one of the earliest printed books, and for its time one of the best-illustrated. It takes the reader through a phantasmagoric land of extraordinary architecture, people and events before Poliphilus is reunited with his love. At the outset, Poliphilus, an avatar of the author, finds himself in a dark wood, just like Dante in the Divine Comedy. He wanders through a landscape of extraordinary structures, many in ruins, and is attacked by a dragon from which he escapes. At last, he finds himself in a pleasant land of lawns, flowers and watercourses. There he meets a group of nymphs, who make fun of him at first, but then bring him to meet their queen Eleuterylida. A magnificent feast and pageant follow, and he meets his love Polia. They go down to the sea-shore, where Polia waits for the boat to take them to the Island of Love, and Poliphilus explores a dilapidated temple nearby. At the temple is a graveyard where are buried many people, both men and women, who died for love; their stories are told in the inscriptions on the tombs. Reading these, Poliphilus becomes afraid that something similar may happen to him and Polia, and rushes back to her. However, she is sitting calmly waiting for the boat, which soon arrives, piloted by the god Cupid. They go to the Island of Love, where they take part in elaborate rites and meet the goddess Venus herself, and see the tomb of her lover Adonis. Each tells the story of how they met and fell in love, and they embrace. Poliphilus awakens to the song of the nightingale.

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LINKS
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance
The Hypnerotomachia Poliphili and the Architecture of Dreams
The Hypnerotomachia Poliphili and its Annotators

Robert Dallington's "Hypnerotomachia" and the Protestant Antiquity of Elizabethan England

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